August 20, 2026
Most Augusts, Off the 405 is the kind of thing you mean to get to. The tram ride, the DJ set in the courtyard, a band you half know playing against a view of the whole basin. You tell yourself there's always next summer.
This year there isn't. On August 22, the Getty Center in Brentwood closes out its 2026 concert season with a performance by Laurel Halo, and afterward the hill starts winding down toward a renovation that will shutter the entire campus starting March 15, 2027, with the museum not reopening until spring 2028. For a ritual that's been part of Brentwood's August calendar since 2009, this isn't a season finale. It's the last ordinary Saturday on the hill before the campus goes dark for the better part of a year.
Off the 405 has run long enough that most people in Brentwood stopped thinking of it as an event and started treating it like weather, something that just happens up the hill every summer, free, reliable, easy to skip because it'll be back. This year's five-show lineup, announced back in April, features aja monet on May 30, Hunx and His Punx on June 13, Leenalchi on July 11, Horse Lords on July 25, and Laurel Halo closing things out on August 22.
What makes 2026 different isn't the artists. It's what comes after. The Getty Center, which drew 1.3 million visitors last year, announced this spring that it's closing for what it calls the most significant series of modernization initiatives since the museum opened in 1997. The project, estimated between 600 and 800 million dollars, rebuilds nearly everything a visitor experiences before reaching the art: Gehry Partners is redesigning the lower tram station and arrival precinct, Doppelmayr is replacing the original tram system, WHY Architecture is rebuilding the hilltop Welcome Hall, and OLIN is expanding the landscape across the site. The timing isn't incidental. The reopening is set for spring 2028, positioned to be ready just as Los Angeles hosts the Summer Olympics.
"Getty is embarking on an exciting new chapter."
That's how Getty Trust president Katherine Fleming framed it in the announcement. For residents, the more useful translation is simpler: the version of the Getty that's been part of Brentwood's skyline and calendar for almost thirty years is about to change shape, and this month's concert is the last chance to experience the old one on an ordinary Saturday night.
Off the 405 has a format that hasn't changed much over the years, which is part of its appeal. A DJ plays the courtyard starting at 6 p.m. The main act goes on at 7:30. Saturdays at the Getty run late anyway, with the galleries staying open until 9 p.m., so the concert isn't a bolt-on to a museum visit. It's built into the same evening.
| Date | Artist | Set Type |
|---|---|---|
| May 30 | aja monet | Surrealist blues, poetry, and vocal composition |
| June 13 | Hunx and His Punx | Garage rock and glam |
| July 11 | Leenalchi | Korean traditional-pop fusion |
| July 25 | Horse Lords | Structurally complex, rhythm-driven instrumentals |
| August 22 | Laurel Halo | Electronic and experimental composition |
The Trellis Bar & Lounge, which debuted at the Getty in 2025, stays open on concert nights with specialty food and art-themed cocktails, a useful detail if you're not packing a full picnic. Outside alcohol isn't permitted on the grounds, so whatever you're drinking that night either comes from Trellis or stays in the car.
The word free does a lot of work in how people talk about Off the 405, and it's worth being precise about what it actually covers. Admission to the concert is free, but it requires a reservation, and those open online roughly three weeks before each show. Parking is where the real math happens. On concert Saturdays, the rate steps down over the course of the afternoon and drops to free once the show starts at 6 p.m. That's a real distinction from an ordinary weekday visit to the Getty, when the parking fee applies no matter what time you arrive. For a Brentwood household treating this as a regular summer outing, showing up after 6 on a concert Saturday is functionally a free evening at one of the city's more significant museums, not just a free concert bolted onto a paid parking garage.
If you haven't been to Off the 405 this year and want to catch the finale, a few details make the difference between a smooth night and a frustrating one.
It's easy to file a museum renovation under things that don't touch daily life much. This one does, in a small but specific way, for anyone whose summer has quietly included a walk up that hill. Off the 405 isn't just programming Getty runs. It's one of the few fixed points in Brentwood's own calendar, a night that's shown up every summer for most of the time current residents have lived here. Losing it for a stretch that runs from March 2027 through spring 2028 means an entire school year, two springs, and most of a summer will pass without it.
The Getty has said it's opening a temporary programming space on Sepulveda Boulevard across from the Center during the closure, with more details expected later. Whatever that turns out to be, it won't be the courtyard concert on the hill with the tram ride and the view. That version goes quiet after August 22 and doesn't come back until the campus reopens in spring 2028, and even then it comes back different: a new arrival sequence, a rebuilt Welcome Hall, a replaced tram system, timed for a city about to host the Olympics. Worth knowing before you decide whether this Saturday is one to skip.
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